Thursday, October 4, 2012

What is Dark Energy/Matter

Often it is said, it can't happen without quantum physics, and it is true.  Without the stochastic interaction of "normalized" phorms of matter, we would live in a universe of continuously changing, shapeless forms, based on no common resonance vis a vis relabi.

That is what Dark Matter is, when energy becomes so diffuse in the interstitial realms between, little demons jump out of the void because they have no frame of reference.  You cannot touch Dark Matter, because in so doing you would give it a frame of reference, and "pull it into" our world of quantized energy.

People think, it's quantized, oh it's all harmonics like playing the dijeridu.  But that's the opposite of what quantum means. 

An oscillator in the emptiness of space can run at any random frequency, irrational, uninfluenced by and irrespectful of any others.  It is our earthly ensembles of particles, that act like a huge analog synthesizer on full crossmodulation mode.  You can listen to chaos in noise music, and hear how particles interacting makes "probability smudges" of frequency bands.

It is these smudges that allow the atoms in our bodies to absorb the sunlight.  Without smudged resonances, light would pass through us because it would ALWAYS be the wrong frequency.  Think of a minimal performance on sine tone generator and how that plays with your sense of pitch.

So you see Dark Matter can't be seen because it is too abstruse, always too exotic.  It has a Hamiltonian of finite and arbitrary dimensions.  Any piece of earthly matter, even just an atom, has an infinite Hamiltonian because it is here, not nowhere.  An infinite Hamiltonian, in statistical mechanics, actually becomes very predictable, very pragmatic, in its own "white noise nature".

In physics there is a jewel, as Feynman called it.  You see sine waves and cosine waves are really too synthesized, these ideas of perfect circles and such.  The Fourier transform is cold and sterile as Platonic trigonometry.  Everything in our world is actually always modulated by everything else.  The jewel is Euler's formula, which yields you the reality of oscillations by giving both a real position, and an imaginary phase.  But it is the natural exponent on the left-hand side of the equation that allows infinite series of differential permutations to unfold; this allows modulation to be the currency and flow of matter:
e^{ix} = \cos x + i\sin x \

This and the speed of light and Planck's constant, are the primordial bases of physics.  There is nothing else to constrain energy@matter without a "world", so it spins off and light passes right through it because it is irrelevant.  It is dark and cold.

The best examples of cross modulated synthesizers only need two oscillators to achieve wide swaths of probability distribution, like the Benjolin.  The Fourses uses four oscillators that bounce off of each other covalently.  Like a carbon atom, where the electrons cluster in spectral clouds, the tones are beyond Fourier analysis.  We put our ghosts inside the atom at home, but in the depths of space, ghosts are out in the open, like monads, purely tonal, purely noodle.  They long to touch us and become normal matter again.

Tuesday, October 2, 2012

BMA get GOATS

People and their cars.  People and their goddamn cars.

This morning, whilst walking my son to the anarchist church to get some singalong, we were thoroughly dusted by partially combusted petroleum distillates, from engines ground down by habitual use.  I should note that I throw rocks at myself for my own "driving in the truck".  But a pedestrian should not be stoned by these things, no?

And then, at the museum/university complex, we encounter the smell of chemical fertilizer and then the dirty engines of the landscapers' leaf blower and lawnmower.

The reliance on petroleum comes from poverty, and I mean both kinds economic and spiritual.  The anarchist church is a source of spirit, but so is the museum.  It is a place of respite from the pressures of the world.

How come you can spend millions of dollars on restoring, preserving, and moving art, this key to the spiritual, but you can't figure out how to preserve the environment around the museum by eliminating petroleum from the grounds?

I know that Joseph Buoys would approve some sort of remediation involving animals.  It's easy.  We all know that the White House originally had sheep on the lawn, and that was the natural lawnmower.  That's the history of lawns; they were not always petroleum products!

The piece of art and a wonderful promotional event is to construct pens for goats, sheep, and other ruminants, enclosing the diverse areas of lawn around the museum.  The pens can be built by various artists/artisans from the Baltimore local area.  The smaller islands of grass, bordering roads, need higher fences and smaller ruminants such as pygmy goats.

Note that the landscapers' jobs are not in jeopardy here; they are transformed to a more eclectic duty of animal maintenance and pragmatic weeding.  Further performance art events come from the ritual slaughter of livestock coinciding with gallery openings, etc.

We don't have time anymore to talk about the "botanical racism" of old style, colonial plantings that prevent a native and natural permaculture from developing.  However, eliminating petroleum is a good first step.

By Petroleum Bottle

Spiderman Helps Prototype Cargo

My baby likes spider man; whenever he sees me sketching out instruments, he asks me to draw spider man too.  BTW here is the instruments in raw form realized from the sketch:

Spider man shoots silke from his wrists.  Here is the action on a Macintosh, contrasting with the color aesthetics of a Dan Conrad light box.

Drawing this fractal pattern of spider web and eyes on a maggot style Japanese balloon, I recall Feynman diagrams for Quantum Physics, and realize that the webbing is kind of like a circular diagram of Quantum Synthesizer patterns.  The eyes represent the "sass", a character of analog synthesis.