Damn fine dream.
It was Star Wars, but with cellphones instead of those stupid hologram thingies. Endtimes, "caller ID blocked" type drama. Protagonist "young Luke" grapples with the Vader. Pragmatist "dynasty Solo" aids the light by tossing a special Xray mirror to him. Showing Vader his true pockmarked green reptilian face, gives light a hand up. Now we see the mirror is not just Xray, but two sided, in the sense that Luke finds himself looking at his true pockmarked Emperor self.
Saturday, November 17, 2012
Tuesday, November 13, 2012
StrTrkTNG ScreenCapsDUMP
The first time I watched STTNG was when it came out, in my teens. Last year I completed a second run of the whole thing, also exposing some to my baby.
I could write a whole blog about international politics as seen on the bridge of a galaxy class starship. Instead, I present a few choice screen caps. I will resist the urge to caption them, instead giving a general statement:
You no doubt will recognize these characters. Also recognize what they are saying, and that captions on netflix for this popular sci-fi show were provided by the US Dept of Education! Also, that the "Picard Chain" became an inspiration for a whole new class of successful warrior-statesmen in the contemporary (21st) century american military.
I could write a whole blog about international politics as seen on the bridge of a galaxy class starship. Instead, I present a few choice screen caps. I will resist the urge to caption them, instead giving a general statement:
You no doubt will recognize these characters. Also recognize what they are saying, and that captions on netflix for this popular sci-fi show were provided by the US Dept of Education! Also, that the "Picard Chain" became an inspiration for a whole new class of successful warrior-statesmen in the contemporary (21st) century american military.
Saturday, November 10, 2012
Osage Orange Proposal
that picture:
Thursday, November 1, 2012
Synthesizer: CQPB
Spiel for Vancouver New Music Society
The following Spiel, as a powerpoint, was delivered to Vancouver New Music Society, on October Nineteenth, 2012:
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